The first time I saw Barbarella was pan and scan on HBO, so this 4K UHD is also my first time seeing the whole movie. The sharp widescreen frame is full of bright ‘60s colors and retro ideas of sci-fi.
Barbarella (Jane Fonda)’s ship interior is full of fluffy golden fur. The planets she arrives on are all on soundstages with different textures, from ice and fog to rocks and aliens with angel wings where you can see every feather.
The visual effect of the Grand Grotesque holds up with the hollow body showing the background way before CGI was used. Even flying against projection blends together well.
The space lab and chamber of dreams are nice pure black voids against which all their equipment can stand out. They fill the black void with psychedelic visuals too.
Italian cinema author Tim Lucas’ commentary quotes Fonda, director Roger Vadim and more. He has background on the cast and comic books. Short of firsthand recollections, this is the ideal sort of commentary because it’s well researched and studied.
An alternate opening seems to be a different take of Fonda disrobing her space suit. She goes faster, so probably had to slow down to fit all the credits in.
The second disc of bonus features could be an overwhelming amount to take in all at once. It is worth noting that each one is substantial, whether 15 minutes, 30 or a full 2 hour commentary. Film experts discuss the impact of the film and a costume expert analyzes the sci-fi costumes.
The cinematographer and stunt double can share those firsthand experiences, and at least Ugo Tagnazzi’s son, Ricky, can speak about his dad with only one remove. Whichever aspect of Barbarella interests you is addressed in full.