SPOILERS: Caliburn24 here at the Fortress of Solitude. Mark Waid posted a review of Man of Steel on the Thrillbent website. He is of course a comic book writer on such limited series as Kingdom Come (with Alex Ross) and Superman: Birthright (with Leinil Francis Yu). Waid is currently writing Daredevil with artist Chris Samnee. He begins with a short review: “Non-spoiler review: It’s not for me. It had some very nice moments, several I wish I’d written (and at least three I did, I’m proud to say–there was lots of BIRTHRIGHT in it), but I can’t imagine wanting to watch it again anytime soon. YMMV. It’s a good science-fiction movie, but it’s very cold. It’s not a very satisfying super-hero movie. That said, if your favorite part of SUPERMAN: THE MOVIE was Superman standing in the Fortress while Jor-El lectured him, you’re gonna love MAN OF STEEL.” Waid continues with the parts of the film he liked and the parts that showed their Superman: Birthright origins: “And I genuinely enjoyed the first two-thirds or so of the movie. Krypton was great. Zod was great. Really, there was a lot to like there. And I got my first of many proud-papa BIRTHRIGHT glows when we cut straight from the rocket’s entry to Clark as an adult, and I grinned like an idiot at the many, many other BIRTHRIGHT moments. I can’t really describe for you what it feels like to me to see evidence that I really have been lucky enough to add a few lasting elements to the Superman myth.” The spoilers really come into the next part and where Waid shows his frustration with the film, “And then we got to The Battle of Metropolis, and I truly, genuinely started to feel nauseous at all the Disaster Porn. Minute after minute after endless minute of Some Giant Machine laying so much waste to Metropolis that it’s inconceivable that we weren’t watching millions of people die in every single shot. And what’s Superman doing while all this is going on? He’s halfway around the world, fighting an identical machine but with no one around to be directly threatened, so it’s only slightly less noticeable that thousands of innocents per second are dying gruesomely on his watch. Seriously, back in Metropolis, entire skyscrapers are toppling in slo-mo and the city is a smoking, gray ruin for miles in every direction, it’s Hiroshima, and Michael Bay and Roland Emmerich are somewhere muttering `Too far, man, too far’…but, you know, Superman buys the humans enough time to sacrifice many, many of their own lives to bomb the Giant Machine themselves and even makes it back to Metropolis in time to catch Lois from falling (again), so…yay?” The big spoiler comes with Waid’s greatest disappointment with the film, “Superman wins by killing Zod. By snapping his neck. And as this moment was building, as Zod was out of control and Superman was (for the first time since the fishing boat 90 minutes ago) struggling to actually save innocent victims instead of casually catching them in mid-plummet, some crazy guy in front of us was muttering “Don’t do it…don’t do it…DON’T DO IT…” and then Superman snapped Zod’s neck and that guy stood up and said in a very loud voice, “THAT’S IT, YOU LOST ME, I’M OUT,” and his girlfriend had to literally pull him back into his seat and keep him from walking out and that crazy guy was me. That crazy guy was me, and I barely even remember doing that, I had to be told afterward that I’d done that, that’s how caught up in betrayal I felt. And after the neck-snapping, even though I stuck it out, I didn’t give a damn about the rest of the movie.” Waid brings up some excellent points on the film that pulled in a $125 million box office.